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Endowing family horrors with mythical resonance, Marcello Fois creates an unforgettable tale of twentieth-century Sardinia. When Guiseppe Mundula first sees Michele Angelo Chironi across the corridor of a Sardinian orphanage, the blacksmith realizes that he has found the son and heir he never knew he needed. And when a few years later, Michele himself looks down from the ladder on which he is working and sees the beautiful Mercede, he knows that he has found the woman he will marry.

So begins Fois’ magisterial domestic epic of the lives, loves, and losses of the Chironi family as they struggle through war and fascism and their own personal tragedy.

Using deliberately old-fashioned prose—slow, magisterial, omniscient, sometimes myth-like—Fois brings gravity to this three-part tale of a brief sojourn in “Paradise” as the lovers meet; a decades-long span in “Hell,” as the Chironis are caught in the bloody 20th century; and a purgatory that offers the hope of a new beginning, or at least the story’s continuation. This a transportive and striking novel. —Publishers Weekly

Fois’ descriptive prose is lavish, powerfully evoking time and place. It’s as if nature is possessed of a richness of expression that humans have yet to acquire . . . Mazzarella’s translation is flawless.
The Independent

His poetic style is reminiscent of classics such as Manzoni’s The Betrothed and Lampedusa’s The Leopard.
The Tablet

Fois combines a remarkable number of different ways of seeing the world, different forms of storytelling, different kinds of language and different narrative voices.
—The Observer

Marcello Fois was born in Sardinia in 1960 and is one of a gifted group of writers called “Group 13,” who explore the cultural roots of their various regions. He writes for theater, television, and cinema, and is also an acclaimed novelist. His other books include The Advocate and Memory of the Abyss. In 1992 he was awarded the Italo Calvino prize.

Silvester Mazzarella is a translator of Swedish and Italian literature.